FOA Etude 01

This has been my last concert piece in the final semester of bachelor in sound and music production, and it is my first working in Ambisonics.

FOA as this is the primary control I have at this moment with four speaker setup, however in the future I aim to grow my home studio.

In this work I am investigating how sounds and Synth presets I have made using my own Samples in Sample-Based Synthesizers like CMI xII, Emulator and Synclavier, as well as Pigments. All the Synthesizers are from Arturias Collection X where I explore retrospectively my own artistic practice based on my own recorded fragments and sessions in form of samples, that resulted in an entirely tailored sonic palette that is tuned to me. I do not see my way back from Ambisonics as Space is an important Sonic axis for me that I see hard to ignore. To work projecting sounds in real time and in real spaces as well as practicing Sonic Art through Sound Design

This work is the final manifestation and a singularity of Compositing Concurrent Events connected to my thesis "Sample-Based Sonic Art: an Artistic Exploration of Synthesis, Archival Material and Found Sound", which can be found in the folder with all of the other relevant files and the Thesis Document here:

https://mega.nz/folder/f6wx1ZRY#uyNleRbx0kMCsQGRiObCWA (accessed 26 May, 2026)

I am planning to develop this concepts in my masters thesis following hereafter.

License : CC BY-NC-ND